DRAWINGS
Into the Rivers
Into the Rivers

Drawing from "The Fragments" Heraclitus on HMP in Faber Castell ink Dimensions: 762x600mm

The Sun
The Sun

Drawing from "The Fragments" Heraclitus on HMP in Faber Castell ink Dimensions: 762x600mm

Change
Change

Drawing from "The Fragments" Heraclitus on HMP in Faber Castell ink Dimensions: 762x600mm

Into the Rivers
Into the Rivers

Drawing from "The Fragments" Heraclitus on HMP in Faber Castell ink Dimensions: 762x600mm

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Witt I #14 (2015)
Witt I #14 (2015)

Series of 12 drawings Excerpts from "Remarks on Colour" Wittgenstein Dimensions: 254x140mm Medium: Faber-Castell ink on Museum board.

Witt I #49 (2015)
Witt I #49 (2015)

Series of 12 drawings Excerpts from "Remarks on Colour" Wittgenstein Dimensions: 254x140mm Medium: Faber-Castell ink on Museum board.

Witt III #111(2015)
Witt III #111(2015)

Series of 12 drawings Excerpts from "Remarks on Colour" Wittgenstein Dimensions: 254x140mm Medium: Faber-Castell ink on Museum board.

Witt I #14 (2015)
Witt I #14 (2015)

Series of 12 drawings Excerpts from "Remarks on Colour" Wittgenstein Dimensions: 254x140mm Medium: Faber-Castell ink on Museum board.

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LM6
LM6

Living Mountain Nan Shepherd excerpts transposed into a series of drawings Dimensions: 340 x 500mm Medium: Faber- Castell ink on hand made cream paper

LM4 (2020)
LM4 (2020)

Living Mountain Nan Shepherd excerpts transposed into a series of drawings Dimensions: 340 x 500mm Medium: Faber- Castell ink on hand made cream paper

LM1(2020)
LM1(2020)

Living Mountain Nan Shepherd excerpts transposed into a series of drawings Dimensions: 340 x 500mm Medium: Faber- Castell ink on hand made cream paper

LM6
LM6

Living Mountain Nan Shepherd excerpts transposed into a series of drawings Dimensions: 340 x 500mm Medium: Faber- Castell ink on hand made cream paper

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Le Pré:Mxxiii (2014)
Le Pré:Mxxiii (2014)

The poem Le Pré (The Meadow) 1967 by French poet Francis Ponge is transposed into a series of thirty small drawings, each representing a paragraph of the text. Medium: Ink on Magnani Revere Paper Dimensions:275.5x165mm

Le Pré:Mxiix (2014)
Le Pré:Mxiix (2014)

The poem Le Pré (The Meadow) 1967 by French poet Francis Ponge is transposed into a series of thirty small drawings, each representing a paragraph of the text. Medium: Ink on Magnani Revere Paper Dimensions:275.5x165mm

Le Pré:M-(2014)
Le Pré:M-(2014)

The poem Le Pré (The Meadow) 1967 by French poet Francis Ponge is transposed into a series of thirty small drawings, each representing a paragraph of the text. Medium: Ink on Magnani Revere Paper Dimensions:275.5x165mm

Le Pré:Mxxiii (2014)
Le Pré:Mxxiii (2014)

The poem Le Pré (The Meadow) 1967 by French poet Francis Ponge is transposed into a series of thirty small drawings, each representing a paragraph of the text. Medium: Ink on Magnani Revere Paper Dimensions:275.5x165mm

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DBI (2020)
DBI (2020)

Drunken Boat ("Le Bateau ivre) tranposed into 12 drawings Dimensions:280x215mm Medium: graphite on transparent velum over 100% cotton wausau paper

DBII (2020)
DBII (2020)

Drunken Boat ("Le Bateau ivre) tranposed into 12 drawings Dimensions:280x215mm Medium: graphite on transparent velum over 100% cotton wausau paper

DB XII (2020)
DB XII (2020)

Drunken Boat ("Le Bateau ivre) tranposed into 12 drawings Dimensions:280x215mm Medium: graphite on transparent velum over 100% cotton wausau paper

DBI (2020)
DBI (2020)

Drunken Boat ("Le Bateau ivre) tranposed into 12 drawings Dimensions:280x215mm Medium: graphite on transparent velum over 100% cotton wausau paper

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PII-X-#152 (2016)
PII-X-#152 (2016)

Goethe’s Zur Farbelehre/ Theory of Colours II 4 of 12 drawings Medium: Faber-Castell ink on Fabriano Paper Dimensions:556x279.5mm

PII-XXXII-#420
PII-XXXII-#420

Goethe’s Zur Farbelehre/ Theory of Colours II 4 of12 drawings Medium: Faber-Castell ink on Fabriano Paper Dimensions:556x279.5mm

PI-IV-#42 (2016)
PI-IV-#42 (2016)

Goethe’s Zur Farbelehre/ Theory of Colours II 4 of12 drawings Medium: Faber-Castell ink on Fabriano Paper Dimensions:556x279.5mm

PII-X-#152 (2016)
PII-X-#152 (2016)

Goethe’s Zur Farbelehre/ Theory of Colours II 4 of 12 drawings Medium: Faber-Castell ink on Fabriano Paper Dimensions:556x279.5mm

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RB#20 (2020)
RB#20 (2020)

"On a Raised Beach" by Hugh Macdiarmid transposed into a map in 20 sections that follows a section of East Neuk coastline. Dimensions: 580 x300mm Medium: Faber-Castell ink on Arches paper

RB#5 (2020)
RB#5 (2020)

"On a Raised Beach" by Hugh Macdiarmid transposed into a map in 20 sections that follows a section of East Neuk coastline. Dimensions: 580 x300mm Medium: Faber-Castell ink on Arches paper

RB#16 (2020)
RB#16 (2020)

"On a Raised Beach" by Hugh Macdiarmid transposed into a map in 20 sections that follows a section of East Neuk coastline. Dimensions: 580 x300mm Medium: Faber-Castell ink on Arches paper

RB#20 (2020)
RB#20 (2020)

"On a Raised Beach" by Hugh Macdiarmid transposed into a map in 20 sections that follows a section of East Neuk coastline. Dimensions: 580 x300mm Medium: Faber-Castell ink on Arches paper

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And the Dead Trees (2013)
And the Dead Trees (2013)

One of a series of nine folded folio drawings Text: Left panel And the dead trees give me shelter T.S.Eliot Right panel: And the drystone no sound of water Medium: graphite & watercolour on Arches Dimensions:430x220mm

And the Dead Trees (2013)
And the Dead Trees (2013)

Isn't the Pine the Tree (2013)
Isn't the Pine the Tree (2013)

One of a series of nine folded folio drawings Left panel text: Isn't the Pine the tree that furnishes the most dead wood Right panel Ashaft and a cone and conical apples. Francis Ponge Medium: graphite & watercolour on Arches Dimensions:430x220mm

And the Dead Trees (2013)
And the Dead Trees (2013)

One of a series of nine folded folio drawings Text: Left panel And the dead trees give me shelter T.S.Eliot Right panel: And the drystone no sound of water Medium: graphite & watercolour on Arches Dimensions:430x220mm

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